It’s coming to that time in my Masters where I need to start prepping myself to work independently now that my contact hours will soon be over, and I’ll have 40,000 words to prepare, write, and edit for my hand in. This is always something I’ve struggled with, as I know I’m easily distracted and often pop the kettle on just to have five minutes away from the reality of my workload. (Surely I’m not the only one?)
I’ve started thinking about my manuscript, where it’s up to currently, and where I see it going for my deadline in September (which is creeping closer and closer each minute.) Planning is a crucial thing for me right now. Even though it’s not my favourite thing in the world, I know it will help in the long run.
As much as I rave about planning it all out, I don’t find it easy and often spend more time planning than I spent writing. That in principal is fine, but if you’re me, it can often go the opposite way and hinder your writing because you are trying too hard to fit a mould you’ve spent ages creating. Finding a balance with planning is something I’ve been working on so that I am able to plan bits and not get caught up in the concrete parts, but rather use it more as a flexible structure.
As my novel is dual narrative, and written in months as opposed to chapters, it’s quite hard for me to pinpoint a whole selection of plot points to include. What I can do, however, is take each month and write out what scenes I think will be included and how my characters will be feeling.
Are they having a crap day at school? Spending their free time somewhere they really don’t want to be? Lost somewhere and unable to find there way home?
Bringing the characters emotions into the plan really helps me to see their character arc developing, as well as the novel, without thinking too hard about concrete structures. Sometimes we get too caught up in things that we think are crucial, and actually lose focus on the main plot, and our characters, which are the story.
If you’re struggling to plan out a long piece, or with structuring a small piece, try piecing together what the scene looks like and what emotion your character is carrying at that moment. It might help you to see what doesn’t work, which is just as helpful as finding out what does!
Let me know if it helps!